This Just In: Cameron's Second Still His Best...

I am currently watching The Terminator as I write this. Goddamn, what a great movie this is. I probably haven't seen this in twenty years or so. If a Terminator movie shows up on TV it's usually the sequel. Now that is also a fantastic movie, that every time I land on it wile channel-surfing I have to watch the damn thing. I usually think to myself 'Ah, I'll just watch a scene or two' and then end up watching the whole thing anyway because it's so well-made. But yeah, the first one and James Cameron's sophomore effort (after the ridiculous Roger Corman b-movie Piranha 2: The Spawning) rarely shows up on TV, so when tonight it did I had to watch it (despite, you know, owning it on DVD for more than twenty years as well...). 

Cameron might have made smoother-looking films with better special effects, but he never made a more efficient film than The Terminator. The whole film is like a well-oiled machine, constantly moving forward, like the Terminator itself. Exposition is the first half of the film is embedded into the action scenes, the movie doesn't slow down until good guy Reese is captured by the police. (Which, incidentally, is where we are now as I write this. Live commentary!). And of course Cameron did it for peanuts. Arnie's Austrian-accented Terminator just operated his damaged eye, and yes, you can see that Arnie's head is a plastic fake when we see his exposed eye, in the same way that the miniatures and stop motion effects are easy to identity now. But hell, give me that over weightless, spotless CGI any day and twice on sunday, which it is today. 

You know what's also great about The Terminator? It's unforgettable title theme. On one hand, Brad Fiedel uses a cheap-sounding synth. On the other, that makes the theme sound like one of John Carpenter's, which is a good thing! Fiedel's score was one of the first entirely electric scores, all what nowadays would probably be called darkwave. Like Carpenter's scores, it gets a little repetitive here and there, but it's a fine time capsule and a fine reminder to go watch that movie again whenever you can. 

So, while I continue watching this classic  - thus no tagging the tracks, I'm lazy tonight. Go do it yourself if you have to! I'm watching a movie, man! - have some fun with Friedel's score.